Even today, its sinewy storytelling and gorgeous, effects-driven imagery make for an eerie, spectacular film that should be remembered among the great director’s very best. Richard Dreyfuss is memorable as a father who becomes obsessed by the image of a mountain which turns out to be a landing site. Steven Spielberg directs this adventure about a disparate group of people who make contact with aliens. The setting is as central to the appeal of this true-crime thriller as its solid characterisation and compelling narrative, which follows Micki Pistorius (Charlotte Hope), South Africa’s first profiler of serial killers, as she hunts for the man responsible for strangling 22 boys, all against the backdrop of a nation finally coming to terms with democracy.Ĭlose Encounters of the Third Kind (1977) ★★★★★ Written by Nathan Foad, it follows Morgana Robinson’s chip-shop manager dealing with the wholly expected coming out of her son (Jai Hollis) and trying to move on from her divorce from the terminally boring Terry (Mathew Horne). Lottie Gammon’s documentary, made with Everard’s parents, talks to those involved in the case and traces its ongoing impact.įirst shown in 2022 on Gold, this is another of the channel’s warm-hearted sitcoms rarely innovative but always on the side of the underdog. As they sample local food and see the sights in Wales, we’re reminded of just how special a friendship this was.Īnother captivating Exhibition on Screen documentary, this delves into one of Gustav Klimt’s most enigmatic and oft-interpreted works, asking why its appeal endures and what it may tell us about its creator.Ī personal tragedy with far-reaching, nationwide repercussions, the murder of Sarah Everard at the hands of a serving Met Police Officer exposed – once again – both the ever-present threat of violence against women and the rot at the heart of that institution – something subsequent revelations have only confirmed. Rather than rely upon strength and violence like their male counterparts, female animals (including tigers, bees, ants and elephants) use other techniques for survival and advancement.įollowing the sad news of Dave Myers’s death, this latest edition of his and Si King’s west coast adventure has a special poignancy. Mandy Patinkin plays Rufus Cotesworth, a disgraced detective reluctantly drawn into a murder investigation on a cruise ship, whose prime suspect (Violett Beane) is a young woman with whom he has a long, complicated history.Īngela Bassett narrates this glossy seven-part series (also on National Geographic next Sunday) focusing on the natural world through a female lens. The setting is timeless but the execution half-cocked in this whodunit. Perennially pristine dentals aside, the grubbiness of the era is evoked perfectly, and Moore is predictably excellent alongside the impressive Galitzine: ruthless, seductive and vulnerable. DC Moore’s seven-part drama is a gripping illustration of survival in hard times for women and outsiders, as well as being blackly comic without ever tipping into the farce of, say, The Great. The fun really begins as mother and son conduct their machinations at the court, Mary locking horns with Nicola Walker’s Lady Hatton and George dealing with potential rivals in the King’s bedchamber, before illness further muddies the waters. Between her ambition and his beauty, they make a formidable team. Some years later she has revised her opinion – her firstborn deemed “a hollow boy” by their vile father (Simon Russell Beale) and George’s expansive sexuality a useful tool for a woman intent on infiltrating the court of King James I (Tony Curran). “Perhaps I should have left you on the floor to rot.” George Villiers’s (Nicholas Galitzine) arrival in the world is inauspicious, his mother Mary (Julianne Moore) bereft at having birthed a second son destined to inherit nothing.
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